A/Prof. Jenny Spinks spoke with ABC Radio National’s The Arts Show about the Melbourne exhibition and curatorial approach, discussing highlights in a short conversation covering touch, the Iliad drawings, queerness, Renaissance and sense of place. Interview starts at about 35 minutes into the show:
https://www.abc.net.au/listen/programs/the-art-show/vipoo-srivilasa-natsiaa/104105382

Panel as part of Australian and New Zealand Association for Medieval and Early Modern Studies Fourteenth Biennial Conference, ‘Legacies and Relevance: Exploring the Medieval & Early Modern World Beyond Europe’. The University of Canterbury, Christchurch, New Zealand, 8–11 February 2024.

‘Worlds on the Margins: Dürer’s Arabesques’
Andrea Bubenik, University of Queensland

‘Listening to Albrecht Dürer’s Material World’
Matthew Champion, University of Melbourne

‘The Funeral Procession of the Virgin Mary: materialised narratives of Jewish violence, Christian hostility and healing in Albrecht Dürer’s Nuremberg’
Charles Zika, University of Melbourne

Jenny Spinks,  ‘Anticipating Apocalypse in Renaissance Nuremberg.’ Unsettling Certainties: Fourth Biennial Conference of the Society for the History of Emotions. University of Adelaide, 28 November - 1 December 2023. Keynote lecture.

Jenny Spinks, ‘Devouring the Book in Renaissance Nuremberg.’ Pitts Theology Library, Kessler Conversation online series, Emory University, Atlanta, 2 May 2023 (archived at https://pitts.emory.edu/collections/kessler/conversations/).

Holly Fletcher, ‘Making Beds and Stuffing Pillows: Sleep, Materiality and Environment in Early Modern England’. Seminar, European History 1500-1800 series. Institute for Historical Research, London, 30 January 2023.

Panel as part of ARC Centre of Excellence for the History of Emotions Symposium: ‘Past and Future Emotions’, 28–29 November 2022. The University of Melbourne, Engineering C-428. Website: https://www.historyofemotions.org.au/events/che-farewell-symposium-past-and-future-emotions.

‘Fleeting Feelings: Emotion, Time, and the Premodern Sandglass’
Matthew Champion, The University of Melbourne

‘Materialising signs and shaping emotions: Albrecht Dürer and Katherine of Alexandria’
Jenny Spinks, The University of Melbourne

‘Objects/Words/Emotions: The Case of Early Prints’
Charles Zika, The University of Melbourne

Sasha Handley, ‘Soporific Tonics and Early Modern Sleep Recipes’, The Bright Side of Night: Nocturnal Activities in Medieval and Early Modern Times, University of Geneva, 11 June 2022.

Full event programme: https://www.unige.ch/lettres/istge/actualites/actualitesdept/the-bright-side-of-night/.

Stefan Hanß, ‘The Matter of Birds in Renaissance Nuremberg’, Renaissance Skin, King’s College London, 8-9 June 2022.

Full event programme: https://renaissanceskin.ac.uk/documents/23/Programme.pdf.

Charles Zika, ‘The Visual Transformations of St Anthony Abbot: Protector of the Sick and Victor Over Sexual Desire.’ Death, Disease, and Mystical Experience in Early Modern Art symposium, National Art School, Sydney, 12 February 2022.

Dagmar Eichberger, ‘Imago Viduae – Imago Archiducissae: Strategies for Establishing a Public Female Identity in the Early Renaissance.’ Keynote lecture at the symposium On Portraiture: Theory, Practice and Fiction. From Francisco de Holanda to Susan Sontag, 18-20 January 2022.

Sasha Handley, ‘Soporific Foodstuffs and Environmental Knowledge in Early Modern England.’ Le Sommeil: Théories, représentations et pratiques symposium, University of Lausanne, 20-22 October 2021.

Matthew Champion, ‘Object Lessons in the History of Temporalities.’ National School of Arts Research Seminar, Australian Catholic University, 17 August 2021.

Matthew Champion, ‘Devotional Machines.’ Roundtable ‘Describing Devotion,’ International Congress on Medieval Studies, Kalamazoo, Michigan, 15 May 2021.

Charles Zika, ‘The 1683 Siege of Vienna, Right Wing Extremism, and European Christian Identity.’ History Research Seminar, Monash University, 14 May 2021.